icarus_chained: lurid original bookcover for fantomas, cropped (Aurin)
( Dec. 5th, 2013 08:35 pm)
Drive-by post because all the things are still happening and won't go away but at least I'm semi functional right now? Also, I'm reading a lot of really random things both on- and off-line to fill in odd moments. Which leads to ...

Speaking as someone whose joint degree was in archaeology and geography, this blog post on the historical geographies of Rome is possibly the best thing I've read in days. The sense of history entwined in the physical shape of a city, the layers and the layout, was one of my favourite things about the 'Historical Geography of the City' module in college. And, you know, Rome. 2000 years plus, right off the bat. Heh. I love it.

That blog also has some cool posts about Venice, commedia dell'arte, gelato, Italian Renaissance politics, current Italian tourism, costumes in different portrayals of the Borgias, and lots of other good stuff.
Well, okay, one rant, and one observation.

The rant follows thusly:



The observation follows thusly:

icarus_chained: lurid original bookcover for fantomas, cropped (nikola)
( Aug. 23rd, 2011 01:29 pm)
I was scrolling back through my youtube favourites, and found this gem:

Manhatta, 1921

This was introduced to me via my Historical Geographies of the City class, and I thought it was so awesome at the time that I faved it when I got home. It's a short silent film from 1921 (though this version has a modern music track laid over it) by Paul Strand and Charles Sheeler. It's bascially a paen to New York as it was in the 20s, and the forces that made it the city it was. A paen to the city, drawing on the ideals of industry from the early part of the century, where a cloud of industrial smog was a sign of industry and honest work. Heh. It's ... It's a thing of its time, and its awesome.

I found it again just now, and the thought occurred ... this New York is Nikola's New York. Heh. *grins sheepishly* The city as was, the city he would have seen out the window of that hotel room. That's ... that's kinda awesome itself. Heh.

This is why I love old movies, old books, old photographs, what I adore about them, the thrill they give me. This is what I love about archaeology. Because this is what was. You are holding a piece of what used to be, seeing it as someone then saw it. This film, up there? That's what someone 90 years ago went out and saw, that's where they walked, that's where they rested their camera. And we get to see it. We get to have it. This fragile piece of film, and it keeps a moment safe, for nearly a century. Encapsulates a moment in time, a city-that-was, and lets us see.

That will never not be awesome to me. That will never not be incredible. Heh. *smiles faintly*
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